Method and Position

My photographic practice is concept-driven and serial.

Each body of work develops over time through chapters, sequences, and returns. I do not look for isolated moments, but for recurring situations, spatial structures, and changing conditions of visibility that gradually reveal a distinct photographic logic.

I approach urban space not as a backdrop for events, but as a field of systems, thresholds, routines, traces, and perceptual conditions. Across long-term photographic series, I examine infrastructures, collective rhythms, absences, residual signs, and the ways urban environments organize presence, movement, attention, and uncertainty.

Photography is not used here simply as representation. It becomes a way of making underlying spatial and social conditions briefly readable — not from an outside position, but from within the very structures it observes.

Framing, distance, repetition, blur, and sequencing are conscious decisions. They shape how space, behavior, visibility, and absence can appear.

The work does not aim to explain the city or resolve it into a single meaning. It slows perception and opens a space in which urban orders, habits, and forms of participation become noticeable without being fully fixed.

Selected essays accompany the photographic work as a parallel layer of reflection.
They do not explain the images, but move alongside them.
Full texts are available upon request.