The works brought together here move between photography and painting. They arise from the same continuing question: how human-made orders shape what can be experienced, seen and understood.

In photography, I enter environments that have already been built, regulated and used. Streets, thresholds, infrastructures, routines and traces become part of a visual order shaped through distance, repetition and sequence.

In painting, I construct spaces in which fragility, confinement, balance and collective responsibility take material form.

The media differ, but the movement remains: from what appears given toward the conditions that made it possible—and toward the part we ourselves play in sustaining, altering or resisting it.